Fail:Jealousy II (BM 1979,1215.18).jpg
Algfail (1600 × 1385 pikslit, faili suurus: 369 KB, MIME tüüp: image/jpeg)
Lühikirjeldus
Jealousy II
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| Pealkiri |
Jealousy II |
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| Kirjeldus |
English: Head of a man at left silhouetted against black; on the right a clothed man and a nude woman in front of a tree. 1896
Lithograph on Japan paper |
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| Kuupäev | 1896 | |||||||||||||||||||||||
| Tehnika | paper | |||||||||||||||||||||||
| Mõõtmed |
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| Kogu |
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| Praegune asukoht |
Prints and Drawings |
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| Inventarinumber |
1979,1215.18 |
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| Märkused |
This is from the edition printed by Lassally after 1906 (Woll's edition b). The artist has pictured himself in the background with one of his female muses, Dagny Juell, whose husband, Stanislaw Przbyszewski, is the brooding figure in the foreground. Juell was murdered in 1901 but Munch reused the motif between 1902 and 1908 to express the violent nature of his relationship with another woman, Tulla Larsen, who had finally rejected him for a younger painter, Arne Kavli. The same subject appears in a painting of 1895 (Bergen, Kunstmuseum) and in a slightly smaller lithograph 'Jealousy I' made at about the same time as the present print in which the face of Stanislaw Przbyszewski is on a larger scale and the figures in the right background are shown three-quarter length (an impression in the Cecil Higgins Art Gallery, Bedford was acquired with assistance from the Art Fund in 1992; see Ronald Alley, 'Prints by Modern Masters', NACF Annual Report, 1992, p. 60). Lit. see Giulia Bartrum, (ed), 'Edvard Munch: love and angst', London, 2019, pp. 34 (detail of couple) 50, 52 no. 13, and p.199. |
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| Allikas/Fotograaf | https://www.britishmuseum.org/collection/object/P_1979-1215-18 | |||||||||||||||||||||||
| Luba (Faili edasikasutus) |
© The Trustees of the British Museum, released as CC BY-NC-SA 4.0 | |||||||||||||||||||||||
Litsents
This image is in the public domain because it is a mere mechanical scan or photocopy of a public domain original, or – from the available evidence – is so similar to such a scan or photocopy that no copyright protection can be expected to arise. The original itself is in the public domain for the following reason:
This tag is designed for use where there may be a need to assert that any enhancements (eg brightness, contrast, colour-matching, sharpening) are in themselves insufficiently creative to generate a new copyright. It can be used where it is unknown whether any enhancements have been made, as well as when the enhancements are clear but insufficient. For known raw unenhanced scans you can use an appropriate {{PD-old}} tag instead. For usage, see Commons:When to use the PD-scan tag.  | ||||
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Klõpsa kuupäeva ja kellaaega, et näha sel ajahetkel kasutusel olnud failiversiooni.
| Kuupäev/kellaaeg | Pisipilt | Mõõtmed | Kasutaja | Kommentaar | |
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| viimane | 12. mai 2020, kell 19:49 | | 1600 × 1385 (369 KB) | Copyfraud | British Museum public domain uploads (Copyfraud/BM) Coloured lithographs in the British Museum 1896 #1,146/22,275 |
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